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August 11th, 2010 by Steve

A bad snap decision

Monetising content remains a huge challenge for the majority of publishers and content owners. But recent shenanigans at Southampton Football Club hardly offer much hope that the answer has been found.

The club has been hit with a barrage of criticism from the media after deciding to ban photographers from its ground and instead SELL snaps from its own photographic team to the media after the game. All brands need the media in some way, shape or form – football clubs in particular rely on positive publicity and information sharing to maintain the financial support of fans.

So with the new football season about to click into gear and a tumble down the divisions in the past few years, Southampton FC’s decision looks particularly ludicrous.

The move is already backfiring, with some media refusing to carry its official images and one, to its immense credit, planning to use archive images from the 1980s to accompany match reports. Perhaps that piece of daftness, illustrated by the full glory of mullets, bad ‘taches and extremely tight shorts, will help persuade club bosses of the error of their ways. The Sun is even refusing to refer to the club by name.

The point of pictures is to illustrate your stories. Southampton FC may see the content as subject to image rights, but there is a need for basic commercial common sense here. Win or lose, football clubs should be cock-a-hoop (always wanted to type that in a blog post) that someone wants to come in and publicise their games.

Mind you, if PR firms could charge for what they sent to the media, it could be a handy new revenue stream. Anyone want to let Charles Arthur know he’ll need to pay £1 a tweet from now on? (Charles: this is definitely a joke).

With thanks to our own football correspondent for spotting this story.

July 13th, 2010 by Steve

There are just eight types of Twitter profile picture

Journalists spend a long time choosing or pursuing the very best pictures they can to communicate a story. The pose that an individual is captured in can make a big difference to their reputation and to how readers perceive them.

Given the prominence of Twitter, you’d think that people would think a bit harder about their profile pictures. If you tweet a lot, chances are your mug (or whatever reprehensible object you have chosen to illustrate your persona) will be beaming out onto screens around the world many times each day.

A check on those I’m following and others whose content I have tripped across in the past few weeks leads me to believe that there are actually just eight different kinds of pictures being used, not all of them to wholly positive effect:

1. The beaming grinner. Nothing wrong with this at all. Everyone loves a cheery smile. The only drawback is when conveying extremely serious or tragic information – a bit like a newscaster faux pas when smiling through a report on a motorway pile-up

2. The face of wisdom. It it a bird, is it a plane, is it someone looking like they’re old a really bad album cover? Try too hard to look wise and you may just end up looking like a tosser

3. The body part profiler. I’ve seen elbows, lips, knees. Not big, not clever really

4. The sexy pout. Not always appropriate. Looks a bit like HM The Queen might if she took to advertising bras. Can lead to audience discomfort

5. The inanimate object. ‘I’m too clever and thought-provoking to use a picture of me, so here’s a carrot’. Knobs

6. The shadowy type. Face partially obscured in arty photo attempt. Done crudely in Microsoft Paint. Mine is in this category; it’s time to change it

7. Smug bastard. Fat face too close to the lens, trying desperately to look like a social media overlord. The smug mug that looms forth from one of Twitter’s most prolific contributors, who uses the word trending far too often and is probably very poorly endowed, is slap bang at the epicentre of this category. Naming no names. But you know who I mean

8. The passport shot. Safe but oh-so-very-dull. Smile, it may never happen

Then there are people who change their profile picture so often that they probably fall into all of these categories. Or a separate one altogether, called Skittishly Indecisively Try-Hard.

June 8th, 2010 by Steve

Blog pic-up: social media when the words are drab or biased

I always think, sometimes for far too little time, about the words I write on my blog. Clarity matters, impact matters, SEO matters. But until now, I hadn’t really thought about pictures. I slap a pic up occasionally when I think people might like it.

As lines between social media and conventional media continue to blur, this made me think back to when I was choosing pictures for newspaper pages, when there was normally an acute shortage of pics but an oversupply of words. Yet pics were the first things laid out on each page, what drew the reader in and what, typically, made the content most memorable.

Corporate blog writers are often told not to make their words too salesy. An obvious point to anyone who has come from the editorial world, yet often ignored.

Why am I banging on about all of this? Well in searching for information about the area where I’m going on holiday this summer, I came across a blog that had biased and saccharine words yet great pictures. It’s intention was to sell me on Corsica – I was already sold, but the pictures were that good that they ‘told’ me where I’d like to visit and what I’d like to do. I forgave the blog its overt salesmanship because a.) it was relevant to me and b.) the pictures were really good.

So many of the blogs I see are too text-heavy, or use the occasional rough picture rather than good shots. In conventional media, pictures are about far more than just supporting the words – they’re a powerful way of conveying news, features and analysis in their own right, and inspiring readers.

Perhaps bloggers can learn some important lessons from picture editors. Citizen journalism should not ignore citizen photography.