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February 2nd, 2012 by Katie Swan

Video killed the radio star

This week a group of us at Speed undertook a task to make a video in two and a half hours (including editing!). So they’re not going to win any Oscars, but we’re pretty pleased with our video tips in ‘Video PR: How To’ and search engine optimisation tips in ‘Speed’s SEO kitchen’.

Our task highlighted just what you can do with video content and how you can make your message more memorable.  If a picture is worth a thousand words then video has the potential to pack an impressive punch.

According to recent research by Google’s DoubleClick, rich media generates somewhere between a 400% and 700% increase in viewer engagement and response rates compared to static content. It’s no surprise when you can condense pages of text into a short snappy video of a minute or so.

Not only this, but it can also help cultivate your online community. The number of online video users is expected to double to more than 1 billion people by 2015. So, there’s certainly a captive audience, looking to consume and engage with video content. And with video is becoming increasingly favourable in the search engine rankings, it’s well worth investing in some eye-catching videos for your website or blog.

TMIM has featured a video series looking at using video beyond conventional public relations so that it generates leads as well.  In terms of PR, video can really bring company to life and set your company apart from the crowd. Overall it gives you license to deliver your content in a much more creative way.

But the smart thing to do is create videos that both enhance your reputation and generate leads. Existing and new audiences can be reached through a medium that has engagement at its heart, so why not make the most of it and deliver compelling content that features real life case studies that demonstrate the benefits your business brings, with personable spokespeople that can deliver the key messages?

Engaging video content presents a more credible view of your company and customer endorsements will boost your reputation and result the all-important sales.

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May 6th, 2011 by Speed Budapest (Matt)

Melody Hossaini most talked about Apprentice contestant

Series  7  of The Apprentice kicks off next week and already the press and the public are getting excited about it. With so much online chatter taking place about Lord Sugar’s new show and who will be competing in it I thought it’d be interesting to see which contestant has had the biggest impact on the social media world.

A quick and dirty analysis of what people have been saying online during the last three days shows that youth organisation founder, Melody Hossani, is the most talked about contestant so far, racking up four times as many comments as estate agent manager, Alex Britez Cabral, and executive assistant, Helen Louise Milligan.

However as my search only looked for mentions of “Apprentice” and each contestant’s full name, the results could be skewed if people don’t mention the contestant’s full name or the TV programme. Regardless of this I think the results give a fair indication of what conversations are taking place on the web.

Interestingly, the most talked about person yesterday was Susan Ma, who was mentioned more times on Thursday than on Tuesday when the names of this year’s contestants were actually announced by the BBC. It could just be a coincidence, but the fact that yesterday’s surge in mentions coincided with The Sun’s decision to publish pictures of her in a bikini, does make me wonder…

Beachwear aside, it will be very interesting to see how the social media chatter about each of the contestants changes as the series progresses and how it correlates with Lord Sugar’s decisions in the boardroom.

May 6th, 2011 by John Brown

PR fashion – we’re just so creatively dressed!

Assorted colorful flip-flops.

Image via Wikipedia

If you were to ask anyone at Speed towers for a single sentence that described me I’m 99 per-cent sure that they would respond with ‘style icon’.  Today, as I sit at my desk in a well-worn pair of flip-flops, three-quarter length shorts and a seven-year-old tee-shirt, it’s obvious why my colleagues would reach this conclusion.

I’m so far ahead of the fashion curve that people sometimes confuse forward-thinking dress with poor taste and a lack of self-respect – the fools. However this has got me thinking, is PR an industry where looks count for so much more than in other professions?

Take, for example, the simple suit. A staple in the wardrobes of those that walk the streets of the financial districts across the world, as well as the halls of power at the Whitehouse and the Houses of Parliament. And what’s more, my older colleagues tell me it was, up until recently, obligatory to wear a suit within the PR industry as well.  Yet suits are largely ignored in our profession today. Why is that?

Well my thoughts are that we’re expected to emanate creativity and personality – and we bloody love playing up to that. Not only that, the industries we work with are also becoming more relaxed and casual, and we want to say to them ‘look, we’re just like you too! Only a touch more creative’

I have a hat fetish for example, and proudly wear a variety of headgear to client meetings, launches and day-to-day activities. I think it adds character and shouts, ‘this man is confident, smart and probably superb in the sack’ – others think I just look like a tosser.

I once worked with a learned gentleman who was immaculately dressed every day, donning the latest trend superbly. He was also famed for his blindingly bright-coloured, natural fibre, socks (can you guess who it is yet?).

While this sort of ‘extrovert’ dress sense would be instantly berated at the Bank of England or Downing Street, clients have become largely oblivious and almost expectant of wardrobe sensations from their PR consultants.

Of course there are exceptions to this and still the suit gets a dusting off as and when required, but largely those working in the PR industry will each be striving to show just how creative and on-trend they are from tip-to-toe.

Still it’s not all bad.  We could be web developers. They take this whole debate to an entirely new dimension.

 

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December 14th, 2010 by Speed Budapest (Matt)

Christmas Quiz: No winner yesterday, but two today!

The thirteenth day of December proved to be quite unlucky for some, with nobody correctly identifying Majesty magazine as the royal publication that went to print the day before the royal engagement was announced.

But do not fear. The good news is that we’ll be giving away two prizes today!

Follow @speedcomms and keep an eye out at midday for your chance to win.

September 17th, 2010 by Helen Beavis

Philanthropy or bust?

Forget fashion, celebrities and cheating footballers the biggest trend for 2010 has to be philanthropy.  We’ve seen challenges set to US billionaires to donate half their wealth to good causes, Lord Sainsbury has just handed over £25m to the arts and the government is trying to revive a sense of ‘good will’ in the form of the big society agenda.

But if it wasn’t for all these wealthy givers what state would our society and economy really be in?  Philanthropy has been around for centuries, but just as society and the world we live in is fast changing pace, so must philanthropy in order to keep up.

On a recent meeting with one such philanthropist, Marcelle Speller, who has just launched Localgiving.com, it made me realise just how important these contributions, be it monetary or time, are to our society.

It also drummed home that this is a trend more brands need to embrace, given the very real appetite that’s starting to emerge among society.

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June 10th, 2010 by Simon Matthews

2010’s: The Death of Creativity?

Back to the eighties
Image by patries71 via Flickr

I have a gripe that started perhaps in the late 90s but certainly in the (frankly awfully named) noughties: creative thought has died a horrible death. We live in a stagnant nostalgia culture which praises the out-dated and defunct.

It sounds harsh, but I sincerely believe that it is true. I challenge you, dear reader, to name one item in the arts world of the last decade which was the fruit of a truly original and creative idea. I’ve tried, but I keep coming back to the point at which artistic ideas come from rehashed remembrances of another era’s creativity.

The art world has never really recovered from the post-modernism movement. Music hasn’t produced anything fresh since early 90′s hip-hop. All the films being made at the moment are sequels or 80′s remakes.

Technology is often pointed to as something which defines us in the 2010′s (no one seems to have come up with a snappy shortening for this decade yet), but our technical prowess is only just starting to catch up with the imaginations of authors from the 60s 70s and 80s. Our latest toy, the iPad, has a long legacy stretching back at least 23 years to Star Trek the Next Generation (if you will forgive the geeky reference), which provided almost every member of its crew with a PADD. It is not yet quite that ubiquitous in our society, although this kind of device will inevitably play a bigger part in people’s lives.

The last decade of fashion and clothing, following an almost identical pattern to music fashions, started in the 60′s and has shifted, decade to decade, to the 80′s now. Bad hairstyles and big white shoes are almost everywhere. 30 years of culture rehashed in 10. Next up will be the 90′s, which is bad enough (parachute pants and heat reactive t-shirts anyone?). Will “noughties-60′s retro” be the new fashion? Such meta-referencing plays well to post-modernism, but isn’t that a bit old hat now?

Do we now live in a pastiche culture? Where are our creative geniuses? Have they all been wasted regurgitating past glory days? Looking to the past is an important part of understanding who we are and where we came from, but that’s not where new ideas come from.

Working in the creative industries, the decline of creativity is something that concerns me greatly. We have to innovate to progress. We need people in the creative, artistic and technology industries to step-up to the mark and drive things forwards, we can’t sit around and wait for other people to do it for us. I’m willing to help drive change, but I can’t do it alone – are you willing to really change the future?

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April 13th, 2010 by Caroline Allen

Speed campaign shortlisted in CIPR awards

In 2005 Speed created the Tesco Baby & Toddler Club BabySafe initiative – a nationwide programme of seminars offering parents the chance to learn emergency first skills for free.  Since then, thousands of parents have learnt valuable lifesaving skills.   Highly rated by attendees – 100% would recommend the seminars to family and friends – we were delighted to hear yesterday that our work has been nominated in the prestigious Chartered Institute of Public Relations (CIPR) Excellence Awards.

It’s the 25th year of the CIPR Excellence Awards and each year they recognise and reward best practice in public relations throughout the UK and acknowledge personal and team achievement at the highest professional level.  This year the Excellence Awards received over 750 entries across the 27 award categories – for a full list of award categories, visit the CIPR website (available later today).   Winners announced on 16 June – keep your fingers crossed for us!

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March 26th, 2010 by Chris McCrudden

Imitation is the lamest form of flattery

According to Oscar Wilde, “talent borrows, genius steals”. Except if you’re a visual merchandiser for an unnamed fashion retailer who takes a literal-minded approach to following youth trends.

Lady GaGa‘s video for “Telephone” may be the first music promo ever to get more than a billion online views, but this success has spawned a monster. The tribute ‘Telephone’ window display, now available to gawp at on London’s Oxford Street. It is, needless to say, amazing. Marvel at the ham-fisted opportunism! Be astonished by the bad weaves! Laugh your mammaries off at the fact they’ve bothered to pin Diet Coke cans in one of the mannequin’s weaves.

Now if you don’t mind, we’re off to storyboard the video for Alejandro.

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March 1st, 2010 by Marie Efthymiou

Love it, hate it . . .

I’m a loud and proud Marmite lover – there’s no better snack than a wedge of cheddar dipped into a jar of luxuriously silky dark Marmite, so you can imagine my glee when I read in today’s Metro that Unilever has produced a Marmite Extra Old, also known as XO. Due to hit the supermarket shelves a week today (March 8), XO is a result of a secret blend maturing for 28 days – four times longer than the original product.

The new recipe has been developed with the help of the Mamarati – a secret group of 40 hardcore fans that have expressed their love for all things Marmite flavoured across a variety of different social media networks.

Other fans of the savoury spread can join the new social media group at www.marmarati.org – a website dedicated to Marmite’s loyal fans. Here you can engage in conversation with fellow Marmite lovers and upload videos, poems and photographs of how best to enjoy the strong tasting spread – the most creative posts win one of 200 commemorative jars.

Marmite is the latest in a long line of brands that are using social media to interact directly with their consumers and they’re doing it well.

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February 9th, 2010 by Chris McCrudden

A passion for fashion

New York Fashion Week kicks off this Thursday and out there in the Big Apple right now, the tussle among fashionistas for catwalk show tickets probably makes a rugby scrum look like a corps de ballet.

Nowhere outside of the royal courts of 19th century Europe do seating plans matter more. The closer you are to the front, the closer you are to God. Or, more accurately, to the designer’s celebrity muse, who increasingly wears their most bankable new design because she gets more publicity than the clothes ever do.

Fashion blogger Bryanboy’s Twitter stream is probably the best introduction to the Byzantine intrigues required to bag a front row place at a show. Yet what’s most interesting about all this is why it should still matter when these supposedly exclusive shows are all over the internet.

Burberry Menswear 2010

Luxury fashion brands like Gucci and Dior might be latecomers to the online table (and even they’ll probably only eat a cube of cheese), but their YouTube channels do something very clever. They increase the visibility of products most of us will never touch without making them feel cheap or overexposed. Online video is cheaper than 20 pages of ads in Vogue, reaches more people and extends the lifespan of what are monstrously expensive half hour junkets.

But more important than all of this – it’s not the same as being there. This kind of online promotion doesn’t replace the experience, it whets your appetite for the real thing, and pushes up the demand for catwalk show tickets up to feverish levels.

High fashion still has a lot to learn about doing business, but it can teach businesses a lot of things about desire. And desire is what makes people confuse want with need and reach for their credit cards.

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