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May 6th, 2011 by John Brown

PR fashion – we’re just so creatively dressed!

Assorted colorful flip-flops.

Image via Wikipedia

If you were to ask anyone at Speed towers for a single sentence that described me I’m 99 per-cent sure that they would respond with ‘style icon’.  Today, as I sit at my desk in a well-worn pair of flip-flops, three-quarter length shorts and a seven-year-old tee-shirt, it’s obvious why my colleagues would reach this conclusion.

I’m so far ahead of the fashion curve that people sometimes confuse forward-thinking dress with poor taste and a lack of self-respect – the fools. However this has got me thinking, is PR an industry where looks count for so much more than in other professions?

Take, for example, the simple suit. A staple in the wardrobes of those that walk the streets of the financial districts across the world, as well as the halls of power at the Whitehouse and the Houses of Parliament. And what’s more, my older colleagues tell me it was, up until recently, obligatory to wear a suit within the PR industry as well.  Yet suits are largely ignored in our profession today. Why is that?

Well my thoughts are that we’re expected to emanate creativity and personality – and we bloody love playing up to that. Not only that, the industries we work with are also becoming more relaxed and casual, and we want to say to them ‘look, we’re just like you too! Only a touch more creative’

I have a hat fetish for example, and proudly wear a variety of headgear to client meetings, launches and day-to-day activities. I think it adds character and shouts, ‘this man is confident, smart and probably superb in the sack’ – others think I just look like a tosser.

I once worked with a learned gentleman who was immaculately dressed every day, donning the latest trend superbly. He was also famed for his blindingly bright-coloured, natural fibre, socks (can you guess who it is yet?).

While this sort of ‘extrovert’ dress sense would be instantly berated at the Bank of England or Downing Street, clients have become largely oblivious and almost expectant of wardrobe sensations from their PR consultants.

Of course there are exceptions to this and still the suit gets a dusting off as and when required, but largely those working in the PR industry will each be striving to show just how creative and on-trend they are from tip-to-toe.

Still it’s not all bad.  We could be web developers. They take this whole debate to an entirely new dimension.

 

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March 26th, 2010 by Chris McCrudden

Imitation is the lamest form of flattery

According to Oscar Wilde, “talent borrows, genius steals”. Except if you’re a visual merchandiser for an unnamed fashion retailer who takes a literal-minded approach to following youth trends.

Lady GaGa‘s video for “Telephone” may be the first music promo ever to get more than a billion online views, but this success has spawned a monster. The tribute ‘Telephone’ window display, now available to gawp at on London’s Oxford Street. It is, needless to say, amazing. Marvel at the ham-fisted opportunism! Be astonished by the bad weaves! Laugh your mammaries off at the fact they’ve bothered to pin Diet Coke cans in one of the mannequin’s weaves.

Now if you don’t mind, we’re off to storyboard the video for Alejandro.

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February 9th, 2010 by Chris McCrudden

A passion for fashion

New York Fashion Week kicks off this Thursday and out there in the Big Apple right now, the tussle among fashionistas for catwalk show tickets probably makes a rugby scrum look like a corps de ballet.

Nowhere outside of the royal courts of 19th century Europe do seating plans matter more. The closer you are to the front, the closer you are to God. Or, more accurately, to the designer’s celebrity muse, who increasingly wears their most bankable new design because she gets more publicity than the clothes ever do.

Fashion blogger Bryanboy’s Twitter stream is probably the best introduction to the Byzantine intrigues required to bag a front row place at a show. Yet what’s most interesting about all this is why it should still matter when these supposedly exclusive shows are all over the internet.

Burberry Menswear 2010

Luxury fashion brands like Gucci and Dior might be latecomers to the online table (and even they’ll probably only eat a cube of cheese), but their YouTube channels do something very clever. They increase the visibility of products most of us will never touch without making them feel cheap or overexposed. Online video is cheaper than 20 pages of ads in Vogue, reaches more people and extends the lifespan of what are monstrously expensive half hour junkets.

But more important than all of this – it’s not the same as being there. This kind of online promotion doesn’t replace the experience, it whets your appetite for the real thing, and pushes up the demand for catwalk show tickets up to feverish levels.

High fashion still has a lot to learn about doing business, but it can teach businesses a lot of things about desire. And desire is what makes people confuse want with need and reach for their credit cards.

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